Listen To sample tracks from these albums by Strange Fruit

John Key's Strange Fruit

Seeing is Believing
(57sec, 445k)
Too Late For Love
(45sec, 345k)
One Stop Drop
(90sec, 618kb)


Eavesdropping

When Your Eyes Get Used to the Gloom
(58sec, 454k)
Warsaw 5am
(43sec, 336k)
If You Value Your Life
(78 sec, 610k)


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Tracks
1 Rough riffin' (5.33)
2 One step ahead of the blues (5.15)
3 Seeing is believing (3.52)
4 Resaka de corona (5.57)
5 Corner adorner (4.17)
6 Too late for love (7.45)
7 Pent-up house (2.58)
8 One stop drop (9.58)

John Key's Strange Fruit (1994)

  John Key Piano and Synthesiser
  John Berryman Drums and Percussion
  Barbara Cartwright
Vocals
  Matt Fieldes Acoustic and Electric Bass
  Steve Sherriff Saxophones and Flute

This album realises a long-time dream for John Key to capture his music on album. Key not only performs, he composes. So many jazz albums these days rely on old standards. Apart from Sonny Rollins' "Pent Up House", these are Key's originals. The variety of jazz sound on this album - from bebop to cool jazz to an acid-jazz style track - shows the versatility of Key and his experienced group and how difficult it is to pigeonhole them into one particular jazz mood. The album takes off with a roar with Key's driving bluesy piano playing and swinging bebop tune appropriately entitled Rough Riffin. It is reminiscent of the wonderful jazz of the late 50's. The mood then slows for a ballad One Step Ahead of the Blues which introduces the pensive singing of Barbara Cartwright. Seeing is Believing finds Cartwright in a Latin swing mode with a positive message re-inforced by Key's bouncy piano. Resaka de Corona keeps us in a toe-tapping Latin groove with an instrument driven along by Sherriff's sharp sax playing. The it's into the 90's for Corner Adorner with Berryman's funky drumming, Fieldes' electric bass and Key's synthesiser. Young jazz fans demand a dancing beat and funky grooves so Key says this is his dedication to that acid-jazz movement, noting with a smile that back in the 70's similar sounding jazz had a different name. A 60's feel hangs around Too Late for Love, a song about a one-night stand. After the lyrical version of Rollins Pent Up House, the band stretches out and Sherriff gets a chance to solo with his soprano on One Stop Drop.

It's hard work for a New Zealand jazz group to get their own CD out especially without help from major record companies. John Key's group has done it. They hope you enjoy it.

Tracks
1 Bullion Seam (4.31)
2 Eavesdropping (3.24)
3 When Your Eyes Get Used To The Gloom (2.59)
4 Twisted (4.11)
5 Warsaw 5am (6.50)
6 Mr Khool (4.08)
7 If You Value Your Life (4.16)
8 Other Side Of Town (5.19)
9 Brandy Now (Interlude) (2.55)
10 F.F.Y.P (4.06)

"Classy playing on a classy bunch of tunes" - Listener

"If you're looking for an all-original local album, look no further than Eavesdropping" - Pavement

"The real standout is Key's Warsaw 5am, a seven minute journey from somnolent sax at dawn through bass and piano carrying the energy levels up to arrive at a rush hour and Sherriff's brusque tenor. It's terrific" - New Zealand Herald